Urban Puritano • August 5, 2022

Bryan Chappell's Christ Centered Preaching: An Appreciation

Who Is Sufficient For these Things?



     Expository Preaching is often talked about, but the devil's in the details. Some circles refer to it as verse by verse preaching. Most contrast it with topical or thematic sermons. Still, others say that expository preaching must replicate the form of the Biblical text in the form of the sermon which seeks to proclaim the meaning and significance of the text. In all these descriptions, what stands out is that expository preaching strives to not deviate from the content of the Bible because it's God's Word and His people need to hear it.


     All preachers and would-be preachers must have different tools in their preaching toolkit. Denominational church traditions differ and so their preachers may or may not have a robust preaching toolkit. Some denominations would not ordain non-seminary trained preachers. Other denominations raise up preachers at the local church level with no formal theological education. The only training they receive is hands on in their local church.


     Whatever the preacher's background, reading is within every preacher's reach. When it comes to contemporary classics, I greatly appreciate and commend Bryan Chapell's homiletics text called, Christ-Centered Preaching. It is distinctly Reformed, highly adaptable/practical, and  strives to apply the whole counsel of God's redemptive work in the Christ  of Scripture to bear on the preaching task.


Chapter 1


Why are expository preachers committed to making the meaning of the passage the

message of the sermon? Bryan Chapell answers that by stating that, “expository preaching

endeavors to discover and convey the precise meaning of the Word. Scripture determines what

expositors preach because they unfold what it says.”  This is the expository preacher’s reality and

responsibility. Preachers have no authority to say anything else. Why should they? They do not

have anything else worth saying. They are called to be servants of the word and servants to the

word.


    This is why I prefer to not engage in the Christian-ese colloquial use of verse by verse preaching as an equivalent to truly expository preaching. Preaching isn't a running commentary on the text. It's not a lecture. It's not a string of flowery exclamations of platitudes.


Chapter 2


How many things is a sermon about? According to Chapell, only one. He says that,

“Sermons of any significant length contain theological concepts, illustrative materials, and

corroborative facts. These many components, however, do not imply that a sermon is about

many things. Each feature of a well-wrought message reflects, refines, and/ or develops one

major idea.”  This is the key to unity and focus in a sermon. Without it, the preacher lacks these

things and forces the listeners to assign a major idea that may or may not best reflect the point of

the text. Listeners will naturally do this in order to follow the sermon. Therefore, the preacher

should carefully decorate the major idea tree with all of the ornamental components to make the

tree look beautiful and memorable.


    Preaching has always been considered an art. An art is a skill that is carried out based on a theory. In the case of the question of how many things a sermon is about in expository preaching, the theory is that the best practice for the skill of sermonizing is that unity is ensured by keeping its content about one major thing.


Chapter 3


In what ways can the redemptive context of a text affect the interpretation of that text?

Chapell points out that regard “for context requires preachers to consider a text in the light of its

purpose in the redemptive message that unfolds throughout all of Scripture." This means that

preachers are to ask how the text helps disclose the meaning or need of redemption. The meaning

is therefore determined not only by the immediate and surrounding contexts, but ultimately by

the entire scope of Scripture. Why? Because the context of every Scripture is all of Scripture.

This is due to the divinely inspired, progressively revealed, and organic unity of Scripture. The

diversity of human authors does not contradict this, but further highlights the miraculous nature

and sovereign authorship of the One divine author.


     Do you see why I greatly appreciate Chapell and his book? No text of Scripture is an island unto itself. By divine design and through human implementation, we must take God's redemptive historical disclosure of Christ seriously in our sermonizing.


Chapter 4


What three components of exposition usually occur or should occur in each main point?

Why are all three important? Chapell highlights that, “Explanation answers the question, What

does this text say? Illustration responds to, Show me what the text says. Application answers,

What does the text mean to me? Ordinarily, each component has a vital role in establishing

listeners' "full understanding of a text." This balanced pattern should occur throughout the

message for greater communication and congregational engagement. All three components work

together to accomplish this purpose. They do this by addressing the intellect via logical

explanations, the affections via experiential and relatable illustrations, and the volition via clear

and practical applications.


     Herein lies the burden of the preacher. We must open up the meaning of the Biblical text to the people and its significance to their lives. Some expository preachers refuse to illustrate or apply the text in their preaching with the pious sounding excuse that the Holy Spirit is in charge of that. The Holy Spirit is, indeed, in charge of the results. How this consideration excludes the preacher's pastoral and evangelistic guidance by providing illustrations and applications is beyond me. It's beyond the prophets and apostles, too.


Chapter 5


Why is an exegetical outline by itself usually insufficient as a homiletical outline? Dr.

Chapell explains that an “exegetical outline establishes what a text says. A homiletical outline

establishes how a text's "meaning is best communicated to a congregation." It is therefore the

responsibility of the preacher to convert an exegetical outline to a homiletical outline that is

worded in principles derived from and supported by the text. This is all part of the pastoral

emphasis and care the minister demonstrates in preaching. Otherwise, the outline will merely

reflect a dry and distant textual commentary and have little to no direct and personal significance

to the listener. The preacher is to write for the ear of the listener and not the eye of the preacher.


     Sermonizing is hard work. It's a time consuming art or skill based on a theory or science. Many disingenuously put the art in tension with the theory. However, make no mistake: expository preaching is an art with a view to how best to communicate the Word of God to the people of God.


Chapter 6


What two major components compose formal propositions and main points? Bryan

Chapell establishes that, “Propositions meet formal homiletical requirements when they answer

both Why? and So what? The ‘why’ question elicits the truth-principle component of a

proposition. The ‘so what’ compels a preacher to determine the application component.”  In

other words, the formal proposition is a marriage between the universal truth of the text and the

application of that universal truth. This is important in order to capture both the meaning and

significance of the text. It also provides the necessary balance of a doctrinal indicative followed

by moral imperative. Preaching points should reflect a healthy balance of doctrine (or

explanation) and exhortation (or application). Hence, why all of this is referred to as expository

(explanatory) preaching (application).


    As a novice preacher, the way I understand this is that the basic building block of an expository sermon is the homiletical proposition composed of a subject and a predicate derived from the text by good and necessary Christological consequence.


Chapter 7


How are the key words of a main point's explanation used in illustration? Chapell helps

the preacher with this by advising that an “illustration should not merely reflect the concepts of

the explanation; it should echo the terminology of the explanation as well.”  By doing so,

preachers can show truths in terms of experience with the world of the listener and better equip

them to see the world through the lens of the text’s language and truth. Illustrations are

memorable because they take a general principle and illustrate it as a particular experience

listeners can relate to and remember. Illustrations can easily be misused or abused. Therefore, the

preacher is to apply wisdom in his use of illustrations. If used well, illustrations will serve as

windows that allow more light into the room of the listeners mind. They will also function as the

feathers that help guide the preacher’s homiletical arrows. The preacher needs to remember that

they are meant to shed more light on and help reinforce the truth of the text.


I have a lot to work on in this area.


Chapter 8


What is the main thing to be done in an expository sermon? Chapell argues that

application is the main thing to be done. Why? Because it “gives ultimate meaning to

exposition”  People don’t really know what a text means if they don’t know its significance for

their lives. This is why the best preaching takes truth to struggle. A sermon basically is God’s

truth applied to human struggle. Without application, a sermon functions more like a lecture that

seeks to inform. Preaching is a call to action. It requires a response. It exhorts unto life

application. As the word is alive and active so is the faithful preaching of the word.


John Broadus would agree.


Chapter 9


In what two ways should a sermon introduction prepare for a proposition? Dr. Chapell

guides the preacher by saying that the “introduction, therefore, should prepare for the proposition

in concept and terminology."  An introduction should tell the listener what the message will be

about. In an introduction, the preacher also indicates why the listeners should listen to the

message by identifying the Fallen Condition Focus of the sermon. The introduction serves as the

hook of the message. Listeners need a reason to listen and a way to see how God’s grace in the

text addresses their fallen condition in particular ways. A strong introduction helps expose the

condition of man clearly and present or point to the grace of God that people need.


My preference is for a brief intro similar to how Jonathan Edwards introduced his sermons.


Chapter 10


How does a clear identification of the Fallen Condition Focus prepare a preacher to

construct a redemptive message? Chapell claims that “A clear FCF provides a sermon with a

distinct aim so that a preacher can organize an entire message to address a unified purpose."  An

introduction that begins with an FCF enables the preacher to begin pastoring properly from the

pulpit. Preaching is to specify a FCF indicated by the text and address this aspect of our

fallenness with the grace revealed by the text. This reflects the law and gospel dynamic of

Scripture. Without the FCF and the grace of God, the preacher is no different from a speaker of

any world religion or cult. This is part of what makes preaching uniquely Christian and truly

helpful to the listener who is in need of the grace of God.


This is a unique contribution by Chapell I am thankful for. Perhaps the FCF can be viewed as a function of the Law.


Chapter 11


What is the proper place for the Christ-centered focus in an expository sermon? Bryan

Chapell emphatically reminds the preacher that a "truly expository Christ-centered sermon is not

as concerned with the proper location of the cross in a message as with the necessity that each

listener walk away from the sermon with a keen awareness of the personal import of God's

redeeming work.”  This in turn empowers Christian living. In such preaching, the rules of

Christian obedience do not change, but the reasons do. In other words, it puts the acts of

obedience in order. All of this encapsulates the pattern of the Christian life. For example, we

forgive others because He has forgiven us. Biblical examples like these abound and represent the

nature of our faith and the need for a Christ-centered focus versus a moralistic or legalistic

approach that leaves the listener with a burden he or she cannot carry or want to carry that matter.



Who is sufficient unto the preaching of the Gospel? By God's grace, ordinary men like you and me.


For more great insights from Bryan Chapell, see Preaching: The Task of Application, Part 1, Part 2,  Part 3, and Part 4.

For my own dark, predestinarian ruminations on the preaching burden and task, check out: Christ-Centered Preaching


Also worth your time for edification and stimulation are some Christ-centered expository sermon examples: The Gospel of the Reformation is The Gospel of the Scriptures and Prayer According o Jesus.


Stay tuned! There's more to come!




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By Roberto Gazga August 9, 2026
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By Urban Puritano August 8, 2026
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By Urban Puritano July 27, 2026
Patrick Schreiner has asked for something reasonable, and I want to grant it before I disagree with anything. In a recent excerpt at *Christianity Today*, drawn from his book *The Four Senses of Scripture*, he opens with the interpretation everyone loves to condemn: Augustine on the Good Samaritan. The man going down to Jericho is Adam. The thieves are the devil and his angels. The priest and the Levite are the old covenant ministry, which could profit nothing for salvation. The Samaritan is Christ. The inn is the church. The innkeeper is the Apostle Paul. Modern instructors, Schreiner observes, hold this up as a specimen of how not to read. He asks us to slow down. We ought not to reject such a reading, he says, if we refuse to enter the worldview and reading strategy that produced it. Understanding is not agreement, but we can at least understand why a man like Augustine read a parable this way. Granted. Entirely granted. Augustine was not a fool, he was not playing games, and the men who read the parable as he did — Origen before him, Aquinas after him — were serious men doing what they believed the text required. Anyone who cannot say that much has not earned the right to disagree. So let us enter the reading strategy, exactly as invited. And let us do it the way Schreiner himself proposes: not theoretically, but by going to the Scriptures. "The proof is in the pudding," he writes. I agree. So I want to take his own worked example and test it by his own stated rules. That is the whole of what follows. I am not going to argue that the fourfold sense is unhistorical, or that its practitioners were unspiritual, or that the men who used it loved Christ less than we do. I am going to ask whether the example given to demonstrate the method actually demonstrates it. Who speaks for the other side? First, though, a word about who is standing in the dock. When the essay turns to the position it means to correct, the man who appears is Benjamin Jowett. Scripture has one meaning, Jowett says: the meaning it had to the mind of the prophet or evangelist who first uttered or wrote it, and to the hearers or readers who first received it. The interpreter must not add another meaning but recover the original one. We are to read the Bible like any other book. That is a real position, and it is fairly quoted. But it is worth knowing whose position it is. Benjamin Jowett was Master of Balliol College (Oxford), and the essay in question comes from *Essays and Reviews*, published in 1860 — a volume so far from confessional orthodoxy that two of its contributors were prosecuted in the ecclesiastical courts. Jowett was not defending the single sense of Scripture as the Reformed churches confessed it. He was proposing that the Bible be handled like any other ancient book, which is precisely what the Reformed churches denied. So the reader is offered two options. He may have Jowett's single meaning according to the historical critical method, thin and historical and closed at the moment of first reception. Or he may have the fourfold house. Put that way, most Christians with any spiritual instinct will take the house, and they will be right to. But there is a third position, and it is the one the confessions actually hold. Here is the Westminster Confession, and the Second London Baptist Confession after it, at 1.9: "The infallible rule of interpretation of Scripture is the Scripture itself: and therefore, when there is a question about the true and full sense of any Scripture (which is not manifold, but one), it must be searched and known by other places that speak more clearly." Read that carefully, because it is doing two things at once, and both matter. It says the sense of Scripture is one, not manifold. That is the denial of the quadriga, stated as plainly as a confession can state anything. But look at what it says in the same breath. The true and full sense. Searched out by other places that speak more clearly. Scripture interpreting Scripture, across the whole canon, under a divine Author who wrote all of it. That is not Jowett. Jowett's meaning is sealed inside the mind of the first writer and the ears of the first hearers. The confession's single sense reaches wherever the canon reaches, because one Author stands behind the whole of it. This is not a small difference. It is the difference between a text with one thin meaning and a text with one true and full meaning. And it is the position that never appears in the essay. I do not say this was done deliberately. I say it happened, and that it determines everything downstream. If the only alternative to four senses is Jowett, then four senses wins by default. The reader never meets the position the confessions actually took, so he is never given the chance to prefer it. The proof in the pudding Now to the example. Schreiner takes Matthew 23:37 — "O Jerusalem, Jerusalem, the city that kills the prophets and stones those who are sent to it!" — and reads it four ways. Literally , Jerusalem is the historical city: taken from the Jebusites, made David's capital, later the capital of Judah, and now the city Jesus enters on his way to the cross. Allegorically , Jerusalem stands for all God's people who have killed the prophets, past, present, and future. He cites Galatians 4:25. Tropologically , Jerusalem represents the individual human soul. Christ's lament is personal. He longs for you and me to have our hearts opened to him. We should not be like historical Jerusalem, which sought to kill him. Anagogically , Jerusalem reminds us of the New Jerusalem, and Christ's cry looks forward to the day when his city will welcome him. He cites Galatians 4:26, Hebrews 12:22–23, and Revelation 21:2. Now look at the citations, because they are not distributed evenly. The allegorical reading has a verse. The anagogical reading has three. The tropological reading has none. Hold that, and consider what the cited verses are actually doing. Galatians 4 is Paul reading Jerusalem in two registers. Hebrews 12 is the writer setting Mount Zion and the heavenly Jerusalem before the church. Revelation 21 is John seeing the city come down. In every case the connection between Jerusalem and the thing Jerusalem is said to mean is made by Scripture itself. That is not a second sense laid over the text. That is the confession's own rule: the true and full sense of one place searched out by other places that speak more clearly. When Schreiner reads Matthew 23 in light of Galatians 4, he is not doing something the single sense forbids. He is doing the very thing the single sense requires. I would read it the same way, and so would every Reformed commentator I know. Which leaves the tropological. Here there is no verse, because there is no verse to give. No apostle tells us that Jerusalem signifies the individual soul. The claim arrives on its own authority. And notice what follows it: Christ's lament is personal; he longs for our hearts to be opened; we should not be like the city that killed him. Every word of that is true. Every word of it is preachable. But not one word of it is a second sense. It is application — the pressing of the one meaning upon the conscience of the hearer. Preachers have done it from the single sense since the apostles, and no one needed a fourth tier to do it. If Jerusalem's killing of the prophets means what it plainly means, then a man who reads it and does not tremble has misread it. That is not a further sense of the text. That is the text landing where texts are meant to land. So the example divides cleanly. Where the reading is warranted, it is warranted by the canon — and the canon read whole is the single sense, not an alternative to it. Where the reading is genuinely distinct from the literal sense, no warrant is offered at all. The same pattern holds in his second example. The Psalms, he says, are Israel's songs literally, Christ's songs allegorically, our songs tropologically, and new-creation songs anagogically. The anagogical reading gets citations: Revelation 5:13, Psalm 145:21, Psalm 150:6. The tropological gets a sentence about the new covenant and no text. Twice now, in the two examples chosen to display the method, the moral sense arrives without a verse. I want to be careful here. I am not saying Schreiner has no verses in his book; I have not read every page of it, and an excerpt is an excerpt. I am saying something narrower and, I think, harder to wave off. These are the examples he selected to show the method working. If the demonstration cannot supply canonical warrant for one of its four senses in either instance, the reader is entitled to ask what is holding that sense. A house, or a seed? The essay's governing image is a house. The literal sense is the foundation, the allegorical the walls, the tropological the furniture, the anagogical the roof. It is a beautiful image, and it is very old. It is also, precisely, an image of addition. A foundation does not become walls. Furniture is carried in from outside and set on a floor that was finished without it. Four materially distinct things are assembled into one structure, and the structure is only complete when all four are present. Which is why the essay must say what it says next: you cannot read rightly without attending to the christological sense, or the moral sense, or the eschatological sense. Without these, the house is not yet constructed. There it is — the load-bearing claim of the whole enterprise. Not that the fourfold sense is edifying, or ancient, or reverent, but that the literal sense by itself is not enough. A foundation with no walls is not a house. It is a slab. And here the essayist is caught by his own hand, for elsewhere he concedes what this claim cannot survive. In a public disputation he grants: “Every text has a literal sense. Not every text has a spiritual sense” (Kenwood Institute disputation, youtu.be/eJx1i7Mb6a0 ). Set that beside the house. If some texts have no spiritual sense, then for those texts the house is finished at the foundation — complete, habitable, whole, with no walls, no furniture, and no roof. The slab, it turns out, is sometimes the whole building. But a foundation that is already a finished house for one text cannot be a mere slab for the next, unless some rule tells us which texts get the upper storeys and which do not — and no such rule is offered. He has conceded the sufficiency of the single sense for an unnamed number of passages, while giving no reason the same sufficiency should not extend to the rest. Notice the irony. The whole case against the single sense is that it is Jowett’s — thin, flat, the bare letter and nothing more. Yet the texts he grants a literal sense only, he does not treat as thin; he treats them as sufficient. Which is precisely the confession’s claim, and never Jowett’s: one sense, and full. The retrieval has been fighting the thin single sense so hard it never noticed the thick one standing beside it — the one it half-holds itself. But then, in nearly the same breath, the essay says something that pulls hard the other way. The other senses must find their grounding in the literal, or they will collapse. Allegory must grow from the literal. Grow . That is a seed, not a scaffold. And the two images cannot both be true. If the further senses grow out of the literal the way a stalk grows out of a seed, then they were in the seed, and what we have is one thing unfolding — which is exactly what the single sense claims. If they are walls set upon a foundation, then they came from somewhere else, and the mason brought them. You may have organic growth or you may have construction. You may not have both, and the argument needs both: growth to escape the charge of adding to Scripture, construction to justify the number four. There is a third phrase, quieter than the others, where the whole issue is compressed into a single verb. The literal sense, we are told, contains, discloses, but also veils the mystery of Christ. Contains and discloses I can affirm without hesitation. But veils is doing an enormous amount of work. If the letter veils, then something else must unveil, and a second sense becomes necessary by definition — not because it was shown to be necessary, but because the literal sense was described in a way that guarantees it. The conclusion is loaded into the premise. Change one verb and the argument for a second sense evaporates. One more feature of the house deserves naming, because the essay leans on it. The four senses are presented in what it calls a “Protestant order” — the literal first, the foundation from which the others must grow, on pain of finding Christ where he should not be found and drifting into heresy. The instinct is right: sever allegory from the letter and you get chaos. But notice what the safeguard costs. If the upper senses must grow from the literal, organically, or else collapse, then they are the literal unfolding — one sense reaching its full measure — not a second sense resting on a first. The tighter the essay binds the spiritual senses to the literal to keep them safe, the less they look like distinct senses at all. And whatever this reordering is, it is not the Protestant doctrine of Scripture’s sense. Reordering the quadriga’s four is not the same as holding what the Reformed churches confessed — that the sense is not four in any order, but one. Where the four came from One more question, and it is the one I cannot get past. Why four? The essay is candid, and I respect the candor. Christian interpreters began distinguishing senses early, it says, though the four were not solidified until later. John Cassian, who died around 435, named the four in his *Conferences*. Before that, the evidence offered is the *Epistle of Barnabas*, which says Moses spoke spiritually. But "spiritually" is not a number. It is not even a claim about how many senses a text has. It is a word that says: do not read this woodenly. Tyndale would have said the same. So would Calvin. So would any confessional Protestant who has ever preached from Leviticus. So the pedigree divides. The antiquity belongs to reading spiritually, which nobody in this argument denies. The number four is fifth-century and later, which the essay itself concedes. And where does the number come from? The essay tells us, in a line from Bonaventure that is quoted for other reasons. By tropology we are taught how to act; by allegory, what to believe with faith; by anagogy, what to desire for our eternal delight. Believe, act, desire. Faith, love, hope. The three spiritual senses are the three theological virtues. The correspondence is not an accident and it was never hidden; it is the traditional mapping, and it is elegant. But notice what it means. The number of senses is fixed by a schema of the Christian life, not derived from any feature of any text. Nothing in Matthew 23 tells you to expect three spiritual senses rather than two or five. The count arrives from outside and is applied. That is worth sitting with. When we ask the quadriga why there are four senses, the honest answer is not exegetical. It is that a beautiful and coherent account of the soul's life happened to have three parts, and a foundation was laid beneath them. One last thing about senses There is a technical moment in the essay that I suspect will pass most readers by, but it deserves a paragraph. Schreiner introduces a distinction to explain what the fathers meant. Sense, he says, refers to what someone says, while reference refers to what that something is about. Good. That is a real and useful distinction, and it is the right tool. Then comes the application: the four senses affirm that there can be four different, though connected, referents. But by the definition just given, four referents are not four senses. They are one thing said, about which several things are true — or toward which several things point. And the confession does not deny that Scripture has many referents. It denies that Scripture has many senses. "Not manifold, but one" is a claim about what the text says, not about how many realities the saying touches. If what the retrieval actually wants is that Christ, the church, the soul, and the age to come are all bound up in what Matthew 23:37 is about, then I do not think any confessional Protestant needs to object, and the label "four senses" is a misnomer for it. If the retrieval wants four things said, then it needs to show that from a text, and the Jerusalem example did not. What I am not saying I am not saying the impulse behind this book is wrong. It is not. Schreiner is right that much modern interpretation is thin, that Christ is genuinely everywhere in the Scriptures, that the text is meant to be lived and not merely studied, and that our reading ought to end in hope. If the choice were between the fourfold sense and a Bible flattened into an ancient history lecture manuscript, I would probably take the fourfold sense without blinking. This might be the quadriga's appeal to some Reformed preachers to inject their preaching with rhetorical inspiration for their homiletical inertia. But I digress. But that is not the choice, and I think the essay's structure obscures the fact. Notice how it begins and how it ends. It begins with Augustine's Samaritan — the hardest case, the one everybody condemns — and asks us not to dismiss it too quickly. It ends by calling the fourfold sense faithful , helpful , historic , and holistic , a hermeneutical house we can live in. Between those two points, the Samaritan is never adjudicated. We are never told whether the innkeeper is Paul. We are told that Augustine had reasons, that his method was widely shared, and that the method is good. But the question the essay raised in its first paragraph is left where it was found. And it is a fair question to press, because the method has to answer it. Is the innkeeper Paul? If yes, on what grounds? If no, on what grounds? A reader who wants to say no needs a rule that the method can supply, and I cannot find one in the essay that would do it — nothing except the judgment of other readers, which is not a rule about the text at all. That is what four adjectives cannot fix. Faithful says the reading is permitted. Helpful says it is useful. Historic says it is old. Holistic says it is comprehensive. Every one of those may be granted, and not one of them shows that the single sense of Scripture is insufficient. Yet insufficiency is the claim the whole house rests on: without these, the house is not yet constructed. Show me that. Not that a fourfold reading is edifying — I will stipulate that it often is. Show me a text whose meaning cannot be had unless a second sense is added to it, and show me the rule that tells us when to add one and when to stop. The charity that ran dry Return, at the end, to where the essay began. It opened by asking us not to dismiss Augustine’s Samaritan too quickly — to enter the reading before rejecting it. It was a fair request, and I have tried to honor it throughout. But notice where the charity was spent, and where it ran dry. Every hospitality was extended to a fourth-century allegory the church has almost entirely set aside. None was extended to the position the Reformed confessions actually hold — that the sense of Scripture is not manifold, but one. That position was not entered and answered. It was not named. So I will ask for the same charity the essay asked for Augustine, and ask it for the confession instead. Before we are invited to give a reordered quadriga a hearing — an order the Reformed confessions never taught — the single sense those confessions did teach might be given the hearing it never received here. Enter that worldview first. Until then, I will keep the confession's answer, and I do not think it is the thin thing the essay's alternative makes it out to be. The sense of Scripture is one. It is also full — searched out by other places that speak more clearly, spanning a canon written by one Author who knew the end from the beginning, pressing on the conscience of every man who reads it, and opening onto the city that is to come. That is not a slab. That is already a house, and Christ laid it. Responding to Patrick Schreiner, "How to Read the Bible Like the Early Church Did," Christianity Today (July 2026), excerpted from* The Four Senses of Scripture: Learning from Ancient Ways of Reading the Bible *(Baker Academic, 2026). Be sure to keep an eye out for my forthcoming book on the single sense of Scripture as Biblical, rational, and confessional. 

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